‘Everywhere I look, I’m being looked at’

Unstaged observational photography in the reportage lineage — real people, places, and events recorded as found, in available light, with no constructed set.

Colour removed to a single tonal channel, forcing contrast, texture, and tone to carry the whole image.

Elements stacked front-to-back and allowed to occlude one another, building depth through overlap rather than perspective.

Heavy analog noise, rough scans, and tactile textures serving as an authentic defense against smooth AI perfection.

A photograph presented as an image in its own right — camera-made and shown for itself, rather than as the raw material of a poster, spread, or cover.

The body as primary subject — portraiture, fashion figure, and the crowd.