Companions

Blending heavy historic iconography, emblems, and baroque aesthetics with clean, contemporary design frameworks.

Saturated clay, ochre, olive, and oxidised red — pigment-derived hues at full strength, drawn from earth and paint rather than from screen colour.

Deep oxblood, plum, and charcoal prioritizing under-exposed imagery and dramatic shadows.

Highly structured, perfectly centered focal points emerging from negative space.

Heavy analog noise, rough scans, and tactile textures serving as an authentic defense against smooth AI perfection.

Work built by cutting and recombining existing material — paper, print, photographs, scanned ephemera — where the seams between the parts are part of the image rather than something hidden.

The body as primary subject — portraiture, fashion figure, and the crowd.