"Tobias Jensen," 2022

Grid-locked rationalism in the Swiss lineage — objective type, mathematical division, and restraint held as a position rather than an absence.

Thick, intentional lettering providing necessary structural weight to modern minimalist layouts.

High-saturation, unexpected hues injecting playful personality and warmth into clean geometric spaces.

Subjects severed at the frame edge — faces, objects, and letterforms cut hard rather than contained, using the crop itself as a compositional act.

Vector-clean, unmediated surface — flat fills, crisp edges, and even light, with no grain, halation, dust, or process residue anywhere in the image.

Single-surface display work built to be read at distance — bills, gig posters, and out-of-home placements.

Lettering carrying the image alone, with no photographic or illustrative subject beneath it.