Dust Magazine

Thick, intentional lettering providing necessary structural weight to modern minimalist layouts.

Low-chroma greige, bleached mid-tones, and papery neutrals, where every hue is muted toward grey rather than stated at strength.

Subjects severed at the frame edge — faces, objects, and letterforms cut hard rather than contained, using the crop itself as a compositional act.

The front of a bound publication or release — masthead, image, and billing composed to work as a shelf-front, not as a spread or a poster.

The body as primary subject — portraiture, fashion figure, and the crowd.