La Rabia

Thick, intentional lettering providing necessary structural weight to modern minimalist layouts.

Subjects severed at the frame edge — faces, objects, and letterforms cut hard rather than contained, using the crop itself as a compositional act.

Highly structured, perfectly centered focal points emerging from negative space.

Vector-clean, unmediated surface — flat fills, crisp edges, and even light, with no grain, halation, dust, or process residue anywhere in the image.

Single-surface display work built to be read at distance — bills, gig posters, and out-of-home placements.

The body as primary subject — portraiture, fashion figure, and the crowd.