Dopamine - Series

Grid-locked rationalism in the Swiss lineage — objective type, mathematical division, and restraint held as a position rather than an absence.

Thick, intentional lettering providing necessary structural weight to modern minimalist layouts.

High-saturation, unexpected hues injecting playful personality and warmth into clean geometric spaces.

The composition weighted hard to one edge with the opposite side left open — deliberately off-center, but internally ordered, with elements aligned to each other rather than scattered.

Heavy analog noise, rough scans, and tactile textures serving as an authentic defense against smooth AI perfection.

Single-surface display work built to be read at distance — bills, gig posters, and out-of-home placements.

The body as primary subject — portraiture, fashion figure, and the crowd.