Auro

Low-chroma greige, bleached mid-tones, and papery neutrals, where every hue is muted toward grey rather than stated at strength.

Subjects severed at the frame edge — faces, objects, and letterforms cut hard rather than contained, using the crop itself as a compositional act.

Vector-clean, unmediated surface — flat fills, crisp edges, and even light, with no grain, halation, dust, or process residue anywhere in the image.

Screen-native interface work — sites, apps, and product surfaces where layout has to survive interaction.

Isolated objects arranged and lit for their own sake, including product photography and constructed still life.